SALLY C. GARNER

April 19, 2024

This week Sally C. Garner joins the podcast to talk about the evolution of her studio practice, beginning with photography which led way to an interest in sculpture, installation, fiber and most importantly weaving.

Sally is featured in the Two-Person Exhibition “Process/Symbiosis” with Jason Rafferty at Studio Break Gallery in West Chicago, April 20th-May 11th with an opening reception on Saturday April 20th from 5-8PM.

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AMY REIDEL 2

December 8th, 2023

This week Amy Reidel returns to the podcast to talk about her recent mixed media and installation based works that combine abstract and figurative elements to explore the relationship between being a caregiver during a period of global turmoil.

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JEFF STEVENSON

December 1st, 2023

This week Jeff Stevenson joins us to talk about his work that explores ideas of masculinity and the self through a variety of media that includes painting, sculpture, and installation.

Jeff also talks about his the exhibition “Cross-Section: the many faces of Jeff Stevenson” that opens at Studio Break Gallery with receptions on Sunday Dec 3rd from 2-5 PM and Sat Dec 9th from 4-8 PM.

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NOAH KASHIANI

This week Noah Kashiani joins the podcast to discuss his studio practice that explores mixed media painting and sculptural forms. In the episode Noah breaks down his recent works that use found objects and various processes/materials to create mixed media works that examine consumer culture and late state capitalism.

Noah has a solo exhibition “Built Similarly” that opens on Saturday September 9th from 5-8 PM at Studio Break Gallery in West Chicago.

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BILL CONGER 4

Bill Conger joins the podcast to talk about his sculptural works that incorporate a wide range of found materials that are repurposed and configured to give them new life. In the episode we talk in depth about his new solo exhibition entitled “Gold” that opens at Studio Break Gallery in West Chicago on Saturday October 15th, from 5-8 PM.

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SAM MACK

Sam Mack joins the podcast to discuss their work and writes: “the installations of my work form a grammar of materials that utilizes institutional signs of caution and control punctuated by trans and queer-signaling. interwoven references point toward a slippage of both material and language that exists between physical, academized, and a theoretical corporeal existence.”

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